After testing 3 sequences for my book, this looks like a possible final one. Except for a 10,000-word file of collected fragments which hasn’t found its place yet…
F.M.R.L. Footnotes, Mirages, Refrains and Leftovers of Writing Sound.
chimeric writing / daniela cascella
After testing 3 sequences for my book, this looks like a possible final one. Except for a 10,000-word file of collected fragments which hasn’t found its place yet…
F.M.R.L. Footnotes, Mirages, Refrains and Leftovers of Writing Sound.
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Lakes, Sounds, Sculptures, Really is a text that I wrote for issue 7 of Wolf Notes, in response to the theme of Representation.
Of listening to, imagining, reading sound art, Concert for a Frozen Lake by Rolf Julius, Sculpture 2 by David Toop and Rie Nakajima… You can download the text here:
http://wolfnotes.wordpress.com/2014/07/11/wolf-notes-7/
***
Here are two responses to my Borders evening at Points of Listening last month, where I tested a new presentation format reading texts by myself and other writers, playing sounds and film clips – this is a format I intend to pursue more and more in the coming months, both in relation to my new book and beyond:
Here is a blog post Michael Regnier, science writer at the Wellcome Trust:
http://certainconfusion.wordpress.com/2014/06/18/a-point-of-listening/
And a review by Cheryl Tipp for Caught by the River:
http://www.caughtbytheriver.net/2014/07/28444-daniela-cascella-cheryl-tipp-david-toop/
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There was a missing link in my book, and today I found it:
Giacinto Scelsi’s Fifth String Quartet, in memoriam Henri Michaux.
Beginnings that begin nothing, writings with and without sound but always listening, another border.
My book plan is complete.
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