21 February 2019

Stir and Disturb

Giulia Damiani has invited me to contribute to Stir and Disturb, an Art Research seminar at Goldsmiths University of London. 

Friday 1 March, 2pm – free admission, booking here:  

https://www.eventbrite.co.uk/e/art-research-seminar-stir-and-disturb-tickets-56423942531  

19 February 2019

Artistic Research and Literature

I contributed a text to the Artistic Research and Literature anthology, edited by Corina Caduff and Tan Wälchli.

Open access publication, download here: https://brill.com/view/title/53327 

1 February 2019

Nothing As We Need It / Gestures: Writing That Moves Between

I’m presenting a new performative reading entitled Nothing As We Need It at Gestures: Writing That Moves Between, The Whitworth Art Gallery, Manchester, 15/16 February.

With glitches, chimeras, voices and words bewitched.

Info and programme

14 November 2018

Words On The Move

On Friday 16th November I’m speaking and reading at Words on the Move, a series organised by Marina Warner and Luke Williams at Birkbeck London.

Information here: http://www.bbk.ac.uk/events/remote_event_view?id=3122

 

21 July 2018

Chimera, Sirena

More sonic dreams and nightmares on RIC Journal:

Chimera, Sirena – part 1

Chimera, Sirena – part 2

20 July 2018

Spirit Training

Tristan Foster and I began an email correspondence last year, when he interviewed me for 3:AM Magazine. The exchange continued for months after that, as we agreed to experiment with the usual demands of the interview format, and allow the threads of our conversation to unravel over a longer period of time. The second part, now published on Minor Literature[s], is mainly focused on Tristan’s book Letter to the Author of the Letter to the Father (out on Transmission Press next month). It is called Spirit Training 

21 June 2018

Sigh, A Dream

I’ve started to record.

I could write pages around context and motives for this; in due time.

For now, you can listen to the first instalment on the ever-visionary RIC Journal, where the more-than-visionary Saudamini Deo and Philippe Charlier have welcomed this piece:

Sigh, A Dream / Daniela Cascella

17 April 2018

but the string that binds them

When I was asked to contribute to the Visiting Practitioners Lecture Series at LCC on Thursday 19 April, I knew this would be a great chance for me to begin and re-read my three books as chapters of one book; and to begin and hear the less deliberate yet present echoes and returns in the three of them, and to begin to sense where chapter 4 might rebegin. I started indexing the three books, and my attention was driven as much to the echoes and premonitions (the thread around sigh, breath, necessity and Ananke is not yet exhausted: I know this, having spent the last few months re-reading Calasso and Hillman) as to the lacunae and what is still unspoken. I realised how these books do not seek explanation but connections: to be in other ears and eyes, and to nest in them.
Maybe chapter 4 will rewrite or paraphrase these books inside-out: from their inner lining, lingering on words such as chance, taste, quietude.
Meanwhile, this Thursday: old songs, speechlessness, a post-punk band from Italy, some Robert Aldrich. And this, from John Cage’s Lecture on Something:

 

17 March 2018

Amplification, Faint Noises, Chance, Receiving

My essay on Anna Maria Ortese’s forgotten book from the 1950s, Il mare non bagna Napoli, now available in English from New Vessel Press, was published last week on Minor Literature[s]. I call it a diptych: it started as a review, and developed into a series of considerations through the book (untranslated, translated) into other realms – which is, incidentally, one of the reasons I continue to enjoy writing around books: I become more and more drawn to what can be made to exist in the periphery of a given text, what impressions I can bring that exceed its boundaries.

Here’s an excerpt, with the usual amount of badly concealed self-reflection:

My aim […] is to begin to ask and reflect on how cultural lineage is established and how we can choose to take it as given, or question it, or reshape it; on hegemonies and canons; on visibility and systems of amplification; on what is legitimised, and how; on chance, supreme gatekeeper and supreme facilitator: because after all, a nod in passing by a renowned author is not a guarantee of visibility, and yet at one point in time, such incidental mention happens to be picked up, and magnified. My aim here is to step aside from the main point of comparison […] and, by doing so, invite a glance more askew, invite a reading which does not exclusively rely on references easily found on our doorstep […] It is a question of texture in critical understanding; the necessity to get away with laziness and dullness. What do we instantly, and easily compare books to? Which emotional and cultural scenarios do we read them against and with? What happens if we choose to omit the most immediate of these, and search elsewhere to articulate our reading? If we attempt to listen in more closely, what can be heard which is usually barely perceived because it has no means of amplification, or because certain sounds are best heard when quiet? What can be afforded by a glance from the periphery, a barely audible signal?

Untranslated, Translated: Il mare non bagna Napoli/Neapolitan Chronicles by Anna Maria Ortese

 

16 November 2017

Singed: a book and an interview

My new book Singed: Muted Voice-Transmissions, After The Fire is now published by Equus Press.

I exchanged some thoughts around the book with Tristan Foster on 3:AM Magazine.

 

 

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